By Ernest Thompson Seton
Fig. 93
All the painted paddles I ever saw came from the West Coast. So far as I
know, only the West Coast Indians and their kin, the Eskimos of Alaska, ever
decorated their paddles.
This was quite reasonable in them, for the paddle was as much an essential
part of their lives as the bow or spear. But the Ojibway and Iroquois were
paddle Indians; and, yet, up to date, I have seen no paddle of their make that
was elaborately decorated.
In Fig. 93 the paddles of the upper row are of authentic Indian and Eskimo
design as indicated--the Eskimo from Nelson's Eskimos of Bering Strait; the
Indian from specimens in my own collection.
The decorations are doubtless symbolic or talismanic; but no explanation is
at hand.
The lower row presents adaptations made by myself. In actual practice the
Indian designs are too elaborate or complex for our life of hurry, so I found it
best to simplify them, maintaining as far as possible the symbols and
traditions.
Each paddle is assumed to be, first of all, of yellow varnished wood.
This gives a good as well as a usual background. The designs are mostly in
red and black, with occasional green; and in most cases, the color is outlined
in black or in white. Red is indicated by upright lines, as in the Moccasin
Plate; black by solid black or by cross-hatching; green is diagonal lines from the top down to right. In many cases, the inner ring of the
eye is put in with solid white. Usually the two sides of the paddle are nearly
alike.
In each case, the color enclosed by an outline should be different from the
adjoining background. This is a principle of art that the Indian recognized
instinctively.
The colors of the lower six may be varied at the choice of the painter, but
beware of any attempt at realism.
The broad-nosed paddles are usually for deep water; the narrow and sharpened
paddles are frequently used as pushers in shallow places.
It would be fine if some canoe camp would win the name of the Tribe of the
Painted Paddles, by being the first to have every paddle in camp decorated with
a typical Indian design.
See Also:
Rhythm
of the Redman