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Arrow Dance of the Navaho
Basket Dance of Cochiti
Basket Dance of Woodcraft
Bow & Arrow Dance of Jemez
Bow & Arrow Dance Woodcraft
Comanche Dance of Woodcraft
Comanche Dance of Zuni
2nd Comanche Dance of Zunis
Corn Grinding Dance Woodcraft
Corn Grinding Song of Zuni
Coyote Dance of Woodcraft
Dance of the Mudheads at Zuni
Deer Dance of the Navahos
Deer Dance of San Juan
Dog Dance of San Juan
Dog Dance of Woodcraft
Doll Dance
Eagle Dance of Tesuque
Eagle Dance of Woodcraft
Green Corn of Santo Domingo
Harvest Dance of Zuni
Hoop Dance of Taos
Hoop Dance of Woodcraft
Hopi Snake Dance
Mountain Chant of the Navaho
Pipe Dance of San Juan
Rain Dance of Zuni

Scout Books

Site Contents

Csong03.gif (22548 bytes)


This is a most weird performance, as danced in the fire-light. It is

part of the NIGHT CHANT, which, in its entirety, is a nine days' cere

mony, and is given in order to cure any ill that springs from the lowlands

or valleys.

There were twenty dancers, each with a rattle in the right hand.

There was no drum, and the music was by the dancers themselves, rather

yelped than sung. The music is here reproduced . from Natalie Curtis'

8 meas. Indians' Book (p. 402) ; but the staccato yelping is impossible to be

air hori- notated, and the melody is here much more pronounced than in reality.

z meas.

(a) Enter, with back-trot step, in pairs, side by side 9 meas.

(b) Face front on the rest measure; bringing them into two side

wise lines, all facing front z meas.

(c) Feet perfectly still, but rattles shaken in time 2 meas.

(d) With a sudden, sharp bend of the knees, bow forward and

yelp, straighten up, and face back r meas.

(e) Repeat (c) and (d), starting faces to back, then swinging to

front again 3 meas.

With the back-trot step, they melt into one line, facing


(g) Repeat (c), (d), and (e)


4 meas.

6 meas.

With back-trot step, they separate into two lines again, and the f rout line faces back

4 meas.

(i) The pair at the head of the group approach each other with the back-trot step; and side by side, go down between the two lines, then take their places at the end, each again in his own line. The second couple then come down the aisle in the same manner, then the third, etc. The group continue in place to shake their rattles and keep time with the back-trot step. Use as much music as it takes to give all a chance down the aisle.

Then in pairs with the back-trot step, they exeunt.


Song No. 3 Yei-be-chi Dance (Navabo)

Ha hol-la ha hol-la ha ha - ay Hol-la ho .... o hol-la

i y~ AO


e -

hoha - ay Ho-a ha ha ho-a ha ho-a ha ha

r =941

Ha hol-la ha hol-la ho ha - ay Hol-la ho .... a hol-la g T, ho ha - ay Ho-a ha ha ho-a Natalie Curtis-The Indians' Book, p. 402.



ha ho-a ha - ay

Rhythm of the Redman






Additional Information:

Peer- Level Topic Links:
Arrow Dance of the Navaho ] Basket Dance of Cochiti ] Basket Dance of Woodcraft ] Bow & Arrow Dance of Jemez ] Bow & Arrow Dance Woodcraft ] Comanche Dance of Woodcraft ] Comanche Dance of Zuni ] 2nd Comanche Dance of Zunis ] Corn Grinding Dance Woodcraft ] Corn Grinding Song of Zuni ] Coyote Dance of Woodcraft ] Dance of the Mudheads at Zuni ] Deer Dance of the Navahos ] Deer Dance of San Juan ] Dog Dance of San Juan ] Dog Dance of Woodcraft ] Doll Dance ] Eagle Dance of Tesuque ] Eagle Dance of Woodcraft ] Green Corn of Santo Domingo ] Harvest Dance of Zuni ] Hoop Dance of Taos ] Hoop Dance of Woodcraft ] Hopi Snake Dance ] Mountain Chant of the Navaho ] Pipe Dance of San Juan ] Rain Dance of Zuni ] [ Yei-Be-Chi ]

Parent- Level Topic Links:
Introduction ] Why Dance? ] Fundamental Steps ] List of Dances ] List of Illustrations ] Songs According to Tribes ]

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Last modified: October 15, 2016.